{"id":411,"date":"2022-02-05T13:00:10","date_gmt":"2022-02-05T13:00:10","guid":{"rendered":"https:\/\/www.giancarlopalena.com\/eng\/?page_id=411"},"modified":"2022-06-24T08:07:35","modified_gmt":"2022-06-24T08:07:35","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Accordion Solo:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t

Baroque<\/b>:<\/span>
<\/span><\/p>

      • Domenico Scarlatti – Three Sonatas<\/i>: K551; K208; K430;\u00a0<\/span><\/li>
      • J. S. Bach:
        French Suite N. 5 <\/i>in G Major, BWV 816;
        Italian Concerto<\/i> BWV 971;
        Air from “Goldberg Variations”<\/i>, BWV 988;
        Three “Preludes and Fugues” from the “Well Tempered Clavier”;
        Coral \u201cErbarm dich mein, o Herre Gott\u201d<\/i>, BWV 721.<\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
        \n\t\t\t\t\t\t
        \n\t\t\t\t\t
        \n\t\t\t
        \n\t\t\t\t\t\t\t\t
        \n\t\t\t\t
        \n\t\t\t\t\t\t\t

        Transcriptions:<\/span><\/strong><\/p>

            • Edvard Grieg – Holberg Suite Op. 40;<\/li>
            • W. A. Mozart – Don Giovanni (Ouverture & main Arias);<\/li>
            • Edward Elgar – Nimrod<\/i> (IX mov. from Enigma Variations for Orchestra Op. 36);<\/li>
            • Egberto Gismonti – Agua e Vinho;<\/i><\/li>
            • Camille Saint-Sa\u00ebns – Introduzione e Rond\u00f2 Capriccioso;<\/i><\/li>
            • Enrique Granados – Spanish Dance Nr. 5.<\/i><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
              \n\t\t\t\t\t\t
              \n\t\t\t\t\t
              \n\t\t\t
              \n\t\t\t\t\t\t\t\t
              \n\t\t\t\t
              \n\t\t\t\t\t\t\t

              Original compositions written for solo Accordion:<\/b><\/span><\/p>

                  • Luciano Berio – Sequenza XIII \u201cchanson\u201d<\/i>, for Accordion;<\/li>
                  • Sofia Gubaidulina – De Profundis;<\/i><\/li>
                  • Salvatore Sciarrino –\u00a0 <\/span>Vagabonde Blu;<\/i><\/li>
                  • Staffan Mossenmark – Waterspirit;<\/i><\/li>
                  • Toshio Hosokawa – Melodia;<\/i><\/li>
                  • Arne Nordheim – Flashing;<\/i><\/li>
                  • Martin Lohse – Passing II;<\/i><\/li>
                  • Vladimir Zubitski – The Carpathian Suite;<\/i><\/li>
                  • Petri Makkonen – Like Swans; Disco-Toccata; Disco-Tango; Tango-Toccata;<\/i><\/li>
                  • Frank Angelis – Amalgame<\/i>;<\/li>
                  • Alexander Pushkarenko – Tokkata “Fanfare”;<\/i><\/li>
                  • Viatcheslav Semionov – Sonata N. 2 “Basqueriad”.<\/i><\/li>
                  • Mikolaj Majkusiak – Kaprys num. 2;<\/i><\/li>
                  • Bogdan Precz – 3-3-2.<\/i><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                    \n\t\t\t\t
                    \n\t\t\t\t\t\t\t

                    Bandoneon Solo:<\/span><\/strong><\/span><\/p>

                      • Carlos Gardel –\u00a0El Dia que me Queiras <\/i>(arr. Rodolfo Medeiros);<\/i><\/li>
                      • Astor Piazzolla –\u00a0Reminescenzia; Los Sue\u00f1os; Toccata Rea.<\/i><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                        \n\t\t\t\t
                        \n\t\t\t\t\t
                        \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
                        \n\t\t\t\t\t\t
                        \n\t\t\t\t\t
                        \n\t\t\t
                        \n\t\t\t\t\t\t\t\t
                        \n\t\t\t\t
                        \n\t\t\t

                        Chamber Music repertoire<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
                        \n\t\t\t\t\t\t
                        \n\t\t\t\t\t
                        \n\t\t\t
                        \n\t\t\t\t\t\t\t\t
                        \n\t\t\t\t
                        \n\t\t\t\t\t\t\t

                        Duo:<\/span><\/strong><\/span><\/p>

                            • Astor Piazzolla – Le Grand Tango, <\/i>(Viola\/Cello and Accordion);<\/li>
                            • Graciane Finzi – Impression Tango, <\/i>(Violin\/Viola\/Cello and Accordion);<\/li>
                            • B\u00e9la Bartok – Romanian Folk Dances, <\/i>(Violin and Accordion);<\/li>
                            • Arturo Marquez – Danzon n. 2,<\/i> (Clarinet and Accordion);<\/li>
                            • Manuel De Falla – Siete Canciones Populares Espanolas, (Cello or Voice and Accordion);<\/li>
                            • Igor Stravinsky – Suitte Italienne<\/i> (Introduzione & Serenata), (Cello and Accordion);<\/li>
                            • Pedro Iturralde – Suite Hellenique, <\/i>(Sax and Accordion);<\/li>
                            • Heikki Valpola – Marilina<\/i> (Accordion & Piano).<\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                              \n\t\t\t\t
                              \n\t\t\t\t\t\t\t

                              Accordion Trio:<\/span><\/strong><\/p>

                                  • Vladimir Zubitski – Fatum<\/i>, sonata for three accordions;<\/li>
                                  • Kimmo Hakola – Arar\u00e0,<\/i> (for three accordions).<\/li>
                                  • Motion Trio – The Heart; Balkan Dance; Proms<\/em><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                    \n\t\t\t\t
                                    \n\t\t\t\t\t\t\t

                                    With Strings 4tet \/ 5tet:<\/b><\/span><\/p>

                                        • Astor Piazzolla – Five Tango Sensation, <\/i>(Bandoneon and String 4tet);<\/li>
                                        • Enrico Blatti – Express Suite,<\/i> (Accordion and String 5tet);<\/li>
                                        • Cesare Chiacchiaretta – Anemos,<\/i> (Accordion and String 4tet).<\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                          \n\t\t\t\t
                                          \n\t\t\t\t\t\t\t

                                          With Choir:<\/span><\/strong><\/p>

                                              • Martin Palmeri – Misa a Buenos Aires (Misa Tango), <\/i>(Mezzo Soprano, Coro, Bandoneon, Piano e Archi);<\/li>
                                              • Luis Bacalov – Misa Tango<\/i><\/li>
                                              • Gioacchino Rossini – Petite Messe Solennelle,<\/i> (Harmonium’s part).<\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                                \n\t\t\t\t
                                                \n\t\t\t\t\t\t\t

                                                Astor Piazzolla:<\/span><\/strong><\/p>

                                                  • Tango Nuevo 5tet<\/i> (Bandoneon, Piano, Violin, El. Guitar and Double Bass):<\/b><\/span>
                                                    • Suite del Angel; Las cuatro Estaciones Porte\u00f1as; Concierto para Quinteto; Contrabajisimo; Escualo; Michelangelo 70; Romance del Diablo; Soledad; Tanguedia; Fugata; Contrabajisimo.<\/i><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                                      \n\t\t\t\t
                                                      \n\t\t\t\t\t\t\t
                                                        • Bandoneon, Baritone Sax, Strings and Percussion:<\/b><\/span>
                                                          • 20 Years Ago; Close your eyes and listen; Years of Solitude; Deus Xango; 20 Years After; Reminescence; Summit.<\/i><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                                            \n\t\t\t\t
                                                            \n\t\t\t\t\t\t\t
                                                              • With other Ensemble:<\/span><\/strong>

                                                                • Adios Nonino; Ave Maria; Caf\u00e8 1930 & Nightclub 1960 <\/i>( from Histoire du Tango); Chiquilin de Bachin, Oblivion; Meditango; Libertango; Violentango; Vuelvo al Sur; Balada para un Loco; Balada para mi Muerte; Ave Maria (Tanti Anni Prima); Jorge Adios; Preparense; Bandoneon & Zita <\/i>(from Suite Troileana).<\/p><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

                                                                  \n\t\t\t\t\t\t
                                                                  \n\t\t\t\t\t
                                                                  \n\t\t\t
                                                                  \n\t\t\t\t\t\t\t\t
                                                                  \n\t\t\t\t
                                                                  \n\t\t\t\t\t
                                                                  \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
                                                                  \n\t\t\t\t\t\t
                                                                  \n\t\t\t\t\t
                                                                  \n\t\t\t
                                                                  \n\t\t\t\t\t\t\t\t
                                                                  \n\t\t\t\t
                                                                  \n\t\t\t

                                                                  Soloist with Orchestra:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
                                                                  \n\t\t\t\t\t\t
                                                                  \n\t\t\t\t\t
                                                                  \n\t\t\t
                                                                  \n\t\t\t\t\t\t\t\t
                                                                  \n\t\t\t\t
                                                                  \n\t\t\t\t\t\t\t
                                                                    • Astor Piazzolla – Aconcagua<\/i> (Concerto for Bandoneon, String Orchestra, Piano, Harp\u00a0<\/span>and Percussion);<\/li>
                                                                    • Astor Piazzolla – Double Concerto<\/i> for Bandoneon & Guitar \u201cHommage a Liegi\u201d<\/i>;<\/li>
                                                                    • Astor Piazzolla – Maria de Buenos Aires<\/i> (Opera<\/b>);<\/li>
                                                                    • Richard Galliano – Opale Concerto<\/i>;<\/li>
                                                                    • Martin Palmeri – Sobre las Cuatro Estaciones;<\/i><\/li>
                                                                    • Josef Swider – Suite for Accordion and Strings Orchestra;<\/i><\/li>
                                                                    • Fabrizio De Rossi Re – White Shadows;<\/i><\/li>
                                                                    • Gorka Hermosa – Neotango Concerto;<\/i><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                                                      \n\t\t\t\t
                                                                      \n\t\t\t\t\t
                                                                      \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                                                      \n\t\t\t\t
                                                                      \n\t\t\t

                                                                      Accordion in the Orchestra:<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
                                                                      \n\t\t\t\t
                                                                      \n\t\t\t\t\t\t\t
                                                                        • Viktor Ullman – Die Weise von Liebe und Tod des Cornets Christoph Rilke;<\/i><\/li>
                                                                        • Gustav Mahler – Symphonie Nr. 5, fur Kammerensemble (Kammerorchester)<\/i> (arr. Klaus Simon).<\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

                                                                          Accordion Solo: Baroque: Domenico Scarlatti – Three Sonatas: K551; K208; K430;\u00a0 J. S. Bach:French Suite N. 5 in G Major, BWV 816;Italian Concerto BWV 971;Air from “Goldberg Variations”, BWV 988;Three “Preludes and Fugues” from the “Well Tempered Clavier”;Coral \u201cErbarm dich mein, o Herre Gott\u201d, BWV 721. Transcriptions: Edvard Grieg – Holberg Suite Op. 40; W. A. Mozart – Don Giovanni (Ouverture & main Arias); Edward Elgar – Nimrod (IX mov. from Enigma Variations for Orchestra… <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"\nRepertoire -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Repertoire -\" \/>\n<meta property=\"og:description\" content=\"Accordion Solo: Baroque: Domenico Scarlatti – Three Sonatas: K551; K208; K430;\u00a0 J. S. Bach:French Suite N. 5 in G Major, BWV 816;Italian Concerto BWV 971;Air from “Goldberg Variations”, BWV 988;Three “Preludes and Fugues” from the “Well Tempered Clavier”;Coral \u201cErbarm dich mein, o Herre Gott\u201d, BWV 721. Transcriptions: Edvard Grieg – Holberg Suite Op. 40; W. A. Mozart – Don Giovanni (Ouverture & main Arias); Edward Elgar – Nimrod (IX mov. from Enigma Variations for Orchestra…\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-24T08:07:35+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/\",\"url\":\"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/\",\"name\":\"Repertoire -\",\"isPartOf\":{\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/#website\"},\"datePublished\":\"2022-02-05T13:00:10+00:00\",\"dateModified\":\"2022-06-24T08:07:35+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.giancarlopalena.com\/eng\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Repertoire\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/#website\",\"url\":\"https:\/\/www.giancarlopalena.com\/eng\/\",\"name\":\"www.giancarlopalena.com\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/b0dd63bca82536650cab4018ce19dba2\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.giancarlopalena.com\/eng\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/b0dd63bca82536650cab4018ce19dba2\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/f9b40d1feef979ea736a405f38b92f1b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/f9b40d1feef979ea736a405f38b92f1b?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"logo\":{\"@id\":\"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/image\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Repertoire -","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/","og_locale":"en_US","og_type":"article","og_title":"Repertoire -","og_description":"Accordion Solo: Baroque: Domenico Scarlatti – Three Sonatas: K551; K208; K430;\u00a0 J. S. Bach:French Suite N. 5 in G Major, BWV 816;Italian Concerto BWV 971;Air from “Goldberg Variations”, BWV 988;Three “Preludes and Fugues” from the “Well Tempered Clavier”;Coral \u201cErbarm dich mein, o Herre Gott\u201d, BWV 721. Transcriptions: Edvard Grieg – Holberg Suite Op. 40; W. A. Mozart – Don Giovanni (Ouverture & main Arias); Edward Elgar – Nimrod (IX mov. from Enigma Variations for Orchestra…","og_url":"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/","article_modified_time":"2022-06-24T08:07:35+00:00","twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/","url":"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/","name":"Repertoire -","isPartOf":{"@id":"https:\/\/www.giancarlopalena.com\/eng\/#website"},"datePublished":"2022-02-05T13:00:10+00:00","dateModified":"2022-06-24T08:07:35+00:00","breadcrumb":{"@id":"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.giancarlopalena.com\/eng\/repertoire\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.giancarlopalena.com\/eng\/repertoire\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.giancarlopalena.com\/eng\/"},{"@type":"ListItem","position":2,"name":"Repertoire"}]},{"@type":"WebSite","@id":"https:\/\/www.giancarlopalena.com\/eng\/#website","url":"https:\/\/www.giancarlopalena.com\/eng\/","name":"www.giancarlopalena.com","description":"","publisher":{"@id":"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/b0dd63bca82536650cab4018ce19dba2"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.giancarlopalena.com\/eng\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":["Person","Organization"],"@id":"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/b0dd63bca82536650cab4018ce19dba2","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/f9b40d1feef979ea736a405f38b92f1b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f9b40d1feef979ea736a405f38b92f1b?s=96&d=mm&r=g","caption":"admin"},"logo":{"@id":"https:\/\/www.giancarlopalena.com\/eng\/#\/schema\/person\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/pages\/411"}],"collection":[{"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/comments?post=411"}],"version-history":[{"count":25,"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/pages\/411\/revisions"}],"predecessor-version":[{"id":855,"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/pages\/411\/revisions\/855"}],"wp:attachment":[{"href":"https:\/\/www.giancarlopalena.com\/eng\/wp-json\/wp\/v2\/media?parent=411"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}