{"id":437,"date":"2022-02-13T19:59:12","date_gmt":"2022-02-13T19:59:12","guid":{"rendered":"https:\/\/www.giancarlopalena.com\/ita\/?page_id=437"},"modified":"2022-05-07T09:54:46","modified_gmt":"2022-05-07T09:54:46","slug":"repertorio","status":"publish","type":"page","link":"https:\/\/www.giancarlopalena.com\/ita\/repertorio\/","title":{"rendered":"Repertorio"},"content":{"rendered":"\t\t
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Repertorio solista\n\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Musica Barocca<\/b>:<\/span>
<\/span><\/p>

      • Domenico Scarlatti – Sonate:<\/em> K551; K208; K430;<\/li>
      • J. S. Bach:
        Suite Francese N. 5 <\/i>in Sol Maggiore, BWV 816;
        Concerto Italiano\u00a0<\/i>BWV 971;
        Aria<\/em>, dalle “Variazioni Goldberg”<\/em> BWV 988;
        Tre Preludi e Fuga, dal “Clavicembalo ben Temperato”;<\/em>
        Corale\u00a0\u201cErbarm dich mein, o Herre Gott\u201d<\/i>, BWV 721.<\/li><\/ul><\/li><\/ul><\/li><\/ul>

        \u00a0<\/p>

        Trascrizioni:<\/span><\/strong><\/p>

            • Edvard Grieg – Holberg Suite Op. 40;<\/li>
            • W. A. Mozart – Don Giovanni (Ouverture & Arie principali);<\/li>
            • Edward Elgar – Nimrod<\/i> (IX mov. from Enigma Variations for Orchestra Op. 36);<\/li>
            • Egberto Gismonti – Agua e Vinho;<\/i><\/li>
            • Camille Saint-Sa\u00ebns – Introduzione e Rond\u00f2 Capriccioso;<\/i><\/li>
            • Enrique Granados – Spanish Dance Nr. 5.<\/i><\/li><\/ul><\/li><\/ul><\/li><\/ul>

              \u00a0<\/p>

              Composizioni originali per Fisarmonica Solista:<\/b><\/span><\/p>

                  • Luciano Berio – Sequenza XIII \u201cchanson\u201d<\/i>, for Accordion;<\/li>
                  • Sofia Gubaidulina – De Profundis;<\/i><\/li>
                  • Salvatore Sciarrino –\u00a0 <\/span>Vagabonde Blu;<\/i><\/li>
                  • Staffan Mossenmark – Waterspirit;<\/i><\/li>
                  • Toshio Hosokawa – Melodia;<\/i><\/li>
                  • Arne Nordheim – Flashing;<\/i><\/li>
                  • Martin Lohse – Passing II;<\/i><\/li>
                  • Vladimir Zubitski – The Carpathian Suite;<\/i><\/li>
                  • Petri Makkonen – Like Swans; Disco-Toccata; Disco-Tango; Tango-Toccata;<\/i><\/li>
                  • Frank Angelis – Amalgame<\/i>;<\/li>
                  • Alexander Pushkarenko – Tokkata “Fanfare”;<\/i><\/li>
                  • Viatcheslav Semionov – Sonata N. 2 “Basqueriad”.<\/i><\/li>
                  • Mikolaj Majkusiak – Kaprys num. 2;<\/i><\/li>
                  • Bogdan Precz – 3-3-2.<\/i><\/li><\/ul><\/li><\/ul><\/li><\/ul>

                    \u00a0<\/p>

                    Bandoneon Solo:<\/span><\/strong><\/span><\/p>

                        • Carlos Gardel –\u00a0El Dia que me Queiras <\/i>(arr. Rodolfo Medeiros);<\/i><\/li>
                        • Astor Piazzolla –\u00a0Reminescenzia; Los Sue\u00f1os; Toccata Rea.<\/i><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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                          \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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                          Musica da camera<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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                          Duo:<\/span><\/strong><\/span><\/p>

                              • Astor Piazzolla – Le Grand Tango, <\/i>(Viola\/Cello and Accordion);<\/li>
                              • Graciane Finzi – Impression Tango, <\/i>(Violin\/Viola\/Cello and Accordion);<\/li>
                              • B\u00e9la Bartok – Romanian Folk Dances, <\/i>(Violin and Accordion);<\/li>
                              • Arturo Marquez – Danzon n. 2,<\/i> (Clarinet and Accordion);<\/li>
                              • Manuel De Falla – Siete Canciones Populares Espanolas, (Cello or Voice and Accordion);<\/li>
                              • Igor Stravinsky – Suitte Italienne<\/i> (Introduzione & Serenata), (Cello and Accordion);<\/li>
                              • Pedro Iturralde – Suite Hellenique, <\/i>(Sax and Accordion);<\/li>
                              • Heikki Valpola – Marilina<\/i> (Accordion & Piano).<\/li><\/ul><\/li><\/ul><\/li><\/ul>

                                \u00a0<\/p>

                                Trio di Fisarmoniche:<\/span><\/strong><\/p>

                                    • Vladimir Zubitski – Fatum<\/i>, sonata for three accordions;<\/li>
                                    • Kimmo Hakola – Arar\u00e0,<\/i> (for three accordions).<\/li><\/ul><\/li><\/ul><\/li><\/ul>

                                      \u00a0<\/p>

                                      Con Quartetto o Quintetto d’Archi:<\/b><\/span><\/p>

                                          • Astor Piazzolla – Five Tango Sensation, <\/i>(Bandoneon and String 4tet);<\/li>
                                          • Enrico Blatti – Express Suite,<\/i> (Accordion and String 5tet);<\/li>
                                          • Cesare Chiacchiaretta – Anemos,<\/i> (Accordion and String 4tet).<\/li><\/ul><\/li><\/ul><\/li><\/ul>

                                            \u00a0<\/p>

                                            Con Coro:<\/span><\/strong><\/p>

                                                • Martin Palmeri – Misa a Buenos Aires (Misa Tango), <\/i>(Mezzo Soprano, Coro, Bandoneon, Piano e Archi);<\/li>
                                                • Luis Bacalov – Misa Tango;<\/i><\/li>
                                                • Gioacchino Rossini – Petite Messe Solennelle,<\/i> (Harmonium’s part).<\/li><\/ul><\/li><\/ul><\/li><\/ul>

                                                  \u00a0<\/p>

                                                  Astor Piazzolla:<\/span><\/strong><\/p>

                                                      • Tango Nuevo 5tet<\/i> (Bandoneon, Piano, Violin, El. Guitar and Double Bass):<\/b><\/span>
                                                        • Suite del Angel; Las cuatro Estaciones Porte\u00f1as; Concierto para Quinteto; Contrabajisimo; Escualo; Michelangelo 70; Romance del Diablo; Soledad; Tanguedia; Fugata; Contrabajisimo.
                                                          <\/i><\/li><\/ul><\/li>
                                                        • Bandoneon, Baritone Sax, Strings and Percussion:<\/b><\/span>
                                                          • 20 Years Ago; Close your eyes and listen; Years of Solitude; Deus Xango; 20 Years After; Reminescence; Summit.<\/i><\/li><\/ul><\/li>
                                                          • Con Altri Ensemble:<\/span><\/strong>

                                                            • Adios Nonino; Ave Maria; Caf\u00e8 1930 & Nightclub 1960 <\/i>( from Histoire du Tango); Chiquilin de Bachin, Oblivion; Meditango; Libertango; Violentango; Vuelvo al Sur; Balada para un Loco; Balada para mi Muerte; Ave Maria (Tanti Anni Prima); Jorge Adios; Preparense; Bandoneon & Zita <\/i>(from Suite Troileana).<\/p><\/li><\/ul><\/li><\/ul><\/li><\/ul><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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                                                              \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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                                                              Solista con Orchestra<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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                                                              • Astor Piazzolla – Aconcagua<\/i> (Concerto for Bandoneon, String Orchestra, Piano, Harp and Percussion);<\/li>
                                                              • Astor Piazzolla – Double Concerto<\/i> for Bandoneon & Guitar \u201cHommage a Liegi\u201d<\/i>;<\/li>
                                                              • Astor Piazzolla – Maria de Buenos Aires<\/i> (Opera<\/b>);<\/li>
                                                              • Richard Galliano – Opale Concerto<\/i>;<\/li>
                                                              • Martin Palmeri – Sobre las Cuatro Estaciones;<\/i><\/li>
                                                              • Josef Swider – Suite for Accordion and Strings Orchestra;<\/i><\/li>
                                                              • Fabrizio De Rossi Re – White Shadows;<\/i><\/li>
                                                              • Gorka Hermosa – Neotango Concerto;<\/i><\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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                                                                \n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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                                                                Fisarmonica in Orchestra<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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                                                                • Viktor Ullman – Die Weise von Liebe und Tod des Cornets Christoph Rilke;<\/i><\/li>
                                                                • Gustav Mahler – Symphonie Nr. 5, fur Kammerensemble (Kammerorchester)<\/i> (arr. Klaus Simon).<\/li><\/ul>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

                                                                  Repertorio solista Musica Barocca: Domenico Scarlatti – Sonate: K551; K208; K430; J. S. Bach:Suite Francese N. 5 in Sol Maggiore, BWV 816;Concerto Italiano\u00a0BWV 971;Aria, dalle “Variazioni Goldberg” BWV 988;Tre Preludi e Fuga, dal “Clavicembalo ben Temperato”;Corale\u00a0\u201cErbarm dich mein, o Herre Gott\u201d, BWV 721. \u00a0 Trascrizioni: Edvard Grieg – Holberg Suite Op. 40; W. A. Mozart – Don Giovanni (Ouverture & Arie principali); Edward Elgar – Nimrod (IX mov. from Enigma Variations for Orchestra Op. 36);… <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/pages\/437"}],"collection":[{"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/comments?post=437"}],"version-history":[{"count":22,"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/pages\/437\/revisions"}],"predecessor-version":[{"id":637,"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/pages\/437\/revisions\/637"}],"wp:attachment":[{"href":"https:\/\/www.giancarlopalena.com\/ita\/wp-json\/wp\/v2\/media?parent=437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}